Showing posts with label magenta. Show all posts
Showing posts with label magenta. Show all posts
Friday, August 30, 2019
Sunday, September 3, 2017
Blasted my painting mojo back into place this morning with a bit of vigour.
I absolutely LOVE abstract work ... it's exciting, unpredictable (love that bit!), constantly holds your attention and tickles your imagination with just the biggest feather! Plus more, but I'm too excited to think of the correct words right now.
Perhaps enthusiasm is the right word ... abstract can make my enthusiasm simply burst!
So lovely to be back painting.
I absolutely LOVE abstract work ... it's exciting, unpredictable (love that bit!), constantly holds your attention and tickles your imagination with just the biggest feather! Plus more, but I'm too excited to think of the correct words right now.
Perhaps enthusiasm is the right word ... abstract can make my enthusiasm simply burst!
So lovely to be back painting.
Saturday, July 8, 2017
"Tropical Flowers" by Lynda Cookson
I've recently, because of down-sizing and moving into a much smaller home, destroyed a few of the larger paintings I had in stock. "Tropical Flowers" wasn't one of those! She's hung in my bedroom for a few years now and is going straight back into our new bedroom pretty tout suite!
Collage of "Tropical Flowers" by Lynda Cookson
Detail of "Tropical Flowers" by Lynda Cookson
Friday, August 5, 2016
The Silver Vase, by NY artist Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Monday, February 1, 2016
Spatial Fusion, by NY artist, Celeste Plowden
11x14 acrylic on canvas, sides painted, UV varnish, wired and ready to hang. See this and more at my Chairish.com shop.
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Wednesday, January 6, 2016
Box Arrangement 1,2,3,4, by New York artist, Celeste Plowden
Four 8x10 acrylic on canvas panel, from a series I am currently working on. Hang one, or mix and match for a coordinated display. See my shop on Chairish.com.
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Monday, September 28, 2015
Fandango, by New York artist, Celeste Plowden
Scarlatti's wonderful Fandango, the essence of a baroque, and fiery Spanish form harpsichord piece. 16x16 acrylic on canvas, side painted, UV varnish, wired and ready to hang.
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Wednesday, September 23, 2015
Moving On, by New York artist, Celeste Plowden
Orange and magenta pour over the greys and blues of indecision, reaching out and seeking new paths. acrylic on canvas, UV varnish, sides painted, wired and ready to hang. Available at
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Sunday, August 23, 2015
Blending with Happiness, by New York artist, Celeste Plowden
Out of a cool grey and blue mood comes a little magenta, peach and
bright orange-red. I blended some of the colors, and melted them
together, the way the happiness sneaks up on us after a mood of despair
begins to drift away. 12x12 acrylic on gallery wrap canvas, UV varnish,
sides painted, wired and ready to hang. Available for sale at
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Saturday, June 20, 2015
In Clover, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Wednesday, December 31, 2014
"Magenta in the Sky" by Karla Nolan, framed painting on glass
Vibrant colors in the sky for this miniature painting on glass, sold framed as shown! Magenta was the "in" color when I lived outside of St. Louis in the 1960's, I remember that as if it were yesterday. I convinced my mother to buy me an "outfit" in that bright, hot color, but I felt conspicuous in it, as it was a new hue for me. I mainly lived in red. It doesn't seem that long ago to me, I know that decades have past, but I still like the magenta tones in the skies when I see them!
"Magenta in the Sky", 5"x5" framed painting on glass (measured edge to edge glass),
$100 includes s/h in continental U.S., Paypal accepted, click button
on my blogspot listed below or write me for more information at KarlaNolan@gmail.com
"Life is an onion and one peels it crying."--French proverb
Escapism. Defying time. Serenity and solace. Reliving treasured moments...the reasons I paint and make artwork. The creative acts are surely the most pleasant and yet difficult of all. Color and form are special friends. The challenge of perfecting artwork is monumental and exhilarating. This effort has grown to be both friend and family, which are the two most important aspects of my life. Judaica is my most challenging art...Hebrew and I don't always get along!
I'm mainly self-taught in art, relying on intuition, experimentation, benefiting from studying books, visiting museums, galleries and learning painting techniques from other artist friends/relatives. I've studied pastels with Clive Tyler, taken oils with Daniel Edmondson. My newest medium is painting on glass, inspired by an Italian master, bringing this art technique home and applying my own topics. My oils are mainly with palette knife.
This art style might be called "abstract realism", an oxymoron in its own right. Favorite contemporary artists include Cruciani, L Horowitz, Berberian, S Stork, C Tyler, D Edmondson.
"Life is short, use color!"
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