"Shelly Sheep"
Oil on Board
10" x 10" (25.5 x 25.5 cm)
"Shelly Sheep" by Lynda Cookson
My art website : https://lyndacookson.blogspot.fr
The ePlan : https://onlinepresenceassistant.blogspot.fr
Showing posts with label sheep. Show all posts
Showing posts with label sheep. Show all posts
Friday, June 1, 2018
"Shelly Sheep" by Lynda Cookson
Shelly the sheep was a daft animal who lived in the fields next to our house in Ireland. She would occasionally find a way to go AWOL from her field and come and stare me out through my studio window, slobbering on the glass. She had that wonderful, bossy stare that those black-faced sheep seem to know how to do so well!
"Shelly Sheep"
Oil on Board
10" x 10" (25.5 x 25.5 cm)
"Shelly Sheep"
Oil on Board
10" x 10" (25.5 x 25.5 cm)
Saturday, November 4, 2017
Tuesday, July 18, 2017
"Wait for me!" by Lynda Cookson
"Wait for me!"
Print SOLD!
Thank you Buyer in Ireland!
I have quite a few paintings on show on Fine Art America ... and "Wait for me!" recently sold as a print, from that site, to a buyer in Ireland. "Wait for me!" was most definitely set in Ireland ... we spend 14 years there, in Connemara, before moving to Brittany in France.
Please visit my Show Page at Fine Art America HERE.
Print SOLD!
Thank you Buyer in Ireland!
I have quite a few paintings on show on Fine Art America ... and "Wait for me!" recently sold as a print, from that site, to a buyer in Ireland. "Wait for me!" was most definitely set in Ireland ... we spend 14 years there, in Connemara, before moving to Brittany in France.
Please visit my Show Page at Fine Art America HERE.
Thursday, July 28, 2016
Near Loughcrew, Ireland, by NY artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Tuesday, July 12, 2016
"Between Meals" by Lynda Cookson
A daily painting ... and the subject is, in looking after an old parent, we always seem to be eating meals!
"Between Meals" is for sale by CLICKING HERE or by clicking on the image or its title.
"Between Meals" is for sale by CLICKING HERE or by clicking on the image or its title.
Tuesday, May 12, 2015
Roaming in the Blue, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Sunday, May 10, 2015
Shield Wall, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Wednesday, May 6, 2015
Insight, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Tuesday, April 28, 2015
Shady Stroll, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Sunday, April 26, 2015
Sunny Pastures, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Friday, April 3, 2015
Resting, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Saturday, March 28, 2015
Resting, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Monday, March 23, 2015
MORNING WALK, by New York Impressionist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Thursday, March 12, 2015
COOL SPOT, by New York Impressionist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Friday, June 3, 2011
Here's 2 Ewe by Ann Gorbett
Here's 2 Ewe
8" by 8"
Oil on cradled panel
To read more about this painting, visit my blog anngorbett.blogspot.com.
is an award winning artist who paints exclusively with a palette knife. She holds a fine art degree and has worked as a professional graphic designer for many years. She began painting in oil again after taking a palette knife workshop through the Copley Society of Art in Boston and was immediately hooked. The thick, painterly, yet highly detailed strokes of color are trademarks of her style.
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