Showing posts with label night scene. Show all posts
Showing posts with label night scene. Show all posts

Tuesday, February 11, 2014

"Snow Trees at Night" by Karla Nolan


Okay, it's winter here in my sweet Colorado, it's really cold here and there are two or three feet of snow or more in the nearby foothills.  What does this look like at night, pitch black, maybe just a hint of moonlight?  I don't honestly depict Nature as it actually is, I'd be a photographer if I did that, but this is my creative imagination at work....looks sort of inviting if you have warm clothing, huh? 


"Snow Trees at Night", 14"x11" palette knife oil painting on canvas panel, $300 includes s/h in continental U.S., click Paypal button below or write me at KarlaNolan@gmail.com for more information



Thanks for viewing my art!  Greetings from Fort Collins, Colorado

Thursday, April 12, 2012

NOCTURNE, NIGHT SCENE, TREES, MOON, HOUSE by TOM BROWN



6x8 INCH ORIGINAL OIL PAINTING. CLICK HERE TO BID:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=350557250468

Thanks for looking. Have a restful evening.
tombrownstudio@cox.net

Sunday, February 5, 2012

FULL MOON, NOCTURNE PALETTE KNIFE PAINTING by TOM BROWN



Most collectors familiar with my work know me for my brush paintings, but I also paint frequently with the palette knife, which provides a very different visual experience. This painting is an 8x10 inch palette knife oil painting entitled “THE MOON AND THE STARS.”

Artists often feel they should limit themselves to just brushes or the knife in order to maintain a consistency of style. Many of the great masters disagree, and so do I.

Richard Schmid is an excellent example. Richard Schmid is one of the most accomplished masters of our time, known best for his masterful use of the brush in both figure painting and landscapes. Interestingly he also endorses and uses the palette knife in his work.

In his book “Richard Schmid Paints The Figure” (published in 1973) he mentions being inspired by one of his heroes, Nicholai Fechin as a master of the knife as well as brushes in his work.

In another of his books “Richard Schmid Paints Landscapes” (published in 1975), Richard admonishes artists to learn to use the knife. He suggests locking away your brushes for a time and painting only with the knife to master this “amazingly versatile instrument.”

More than two decades later in his classic book “Alla Prima – Everything I Know About Painting, by Richard Schmid” he again devotes time to knife painting and describes situations when the knife is the best tool. An example shown in this book is “Cascade Barn” which was painted exclusively with the knife.

Emille Gruppe, another artist whose work I admire, describes how the great Charles Hawthorne forced students to spend time learning how to use the knife exclusively in order to broaden their skills.

I enjoy using both tools. I often use the knife to complete portions of paintings that are primarily done with brushes. And I also create many paintings using only the knife, which creates a very different visual experience than paintings done with brushes.

I hope this brief discussion was of interest. If you would like to comment, please email me here:
tombrownstudio@cox.net

Thanks for stopping to look. If you would like to own this painting click here to bid:
http://www.ebay.com/sch/tombrownfineart/m.html?_nkw=&_armrs=1&_from=&_ipg=
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