This diptych is probably completed....I want to look at it for a couple of days on the easel. Maybe a few minor changes....and I need a name for this piece. Each canvas panel is 30" x 15" and needs framing. I had some ideas when I sat down to paint with my palette knife....I wanted a colorful, quick painting with some hard edges. No fussing at all. Just lines, shapes and color. I will post more paintings that are on my easel tomorrow....thanks, Kay at kay@kwyne.com.
Showing posts with label abstract acrylic landscape. Show all posts
Showing posts with label abstract acrylic landscape. Show all posts
Monday, August 6, 2012
Diptych - Landscape by Kay Wyne
This diptych is probably completed....I want to look at it for a couple of days on the easel. Maybe a few minor changes....and I need a name for this piece. Each canvas panel is 30" x 15" and needs framing. I had some ideas when I sat down to paint with my palette knife....I wanted a colorful, quick painting with some hard edges. No fussing at all. Just lines, shapes and color. I will post more paintings that are on my easel tomorrow....thanks, Kay at kay@kwyne.com.
Friday, October 21, 2011
LAKE LANDSCAPE ABSTRACT in ACRYLICS by OLGA WAGNER
This is my second to last acrylic abstract. One more is waiting to be posted. I am so happy...Starting tomorrow, I will be going back to oils. YEAHHHHH! I have been battling some minor respiratory issues and my doc thought it would be wise to stop using oils for a short time to rule them out as the cause...I have a few commissions that I need to start tackling and some new great ideas on equine and cow paintings...I will be one busy, busy girl....
This painting is highly textured...It started as a horse abstract in very vibrant Autumn colors and ended up as a landscape with a rather sinister mood.... That is one thing that I like about the acrylics. If you don't like something the next day, just start over...
CLOSE_UP
This painting is highly textured...It started as a horse abstract in very vibrant Autumn colors and ended up as a landscape with a rather sinister mood.... That is one thing that I like about the acrylics. If you don't like something the next day, just start over...
CLOSE_UP
Tuesday, May 10, 2011
Karen Tarlton Original oil painting California Golden Coast palette knife fine art
My website: http://www.karensfineart.com/
My Blog: http://www.karensfineart.blogspot.com/
http://www.etsy.com/shop/Karensfineart
Galleries: City Lights Gallery, Las Vegas, NV The Arlington Arts Gallery, Arlington Virginia Galerie Severn, New Orleans Louisiana The Stonehenge Gallery, Montgomery Alabama SAC's Gallery, Montgomery Alabama KR Designs, Fort Myers,FL The Arteuropa Gallery, San Diego California
My Blog: http://www.karensfineart.blogspot.com/
http://www.etsy.com/shop/Karensfineart
Galleries: City Lights Gallery, Las Vegas, NV The Arlington Arts Gallery, Arlington Virginia Galerie Severn, New Orleans Louisiana The Stonehenge Gallery, Montgomery Alabama SAC's Gallery, Montgomery Alabama KR Designs, Fort Myers,FL The Arteuropa Gallery, San Diego California
Title: California Golden Coast
12x16
Oil
Rich thick palette knife work! Many plein air painters were painting outside in Monterey while the iceplant was blooming and the weather fantastic last week!
Saturday, November 27, 2010
Tuscan Group Impression #2 - Palette knife painting by David Edwards
acrylic palette knife painting on wrapped canvas
20x24 inches
by David Edwards
This painting one of a number of paintings
I've completed over the last two or three years
that combine an element of realism in
the form of the buildings along with an
abstract landscape.
contact me by email for a price and other
information about this painting
Pay Pal accepted
more works like this can be seen on my website
and smaller paintings are available on my blog.
I was born in Essex, England in 1944 and emigrated to Canada in 1957, residing first in Toronto and moving to Calgary in 1960. Now residing in Kelowna, British Columbia. Early influences on my style and career included J M W Turner and John Constable.
Later, the work of the late French minimalist Nicolas De Stael played the most significant role in my development as a painter. My landscape paintings are abstracted to simple forms relying on texture and tonal variations to create drama.
My still-life and flower works are painted with a palette knife and sometimes brush in acrylic either on canvass or panels. I build the shapes of the abstracted flowers, not being at all concerned with the type of flower, by layering subtle changes in tone and colour value, creating my own style of still-life. Most of my landscapes are painted with a brush although occasionally a palette knife may be used for effect.
My paintings hang in corporate and private collections across the world. I've had a number of solo and group exhibitions in Canada and the USA.
I'm a member of Landscape Artists International and the International Society of Acrylic Painters.
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