Winter Walk in the Marsh

6"x8" oil on linen mounted on archival board

"In the depth of winter, I finally learned that within me there lay an invincible summer." -Albert Camus

Yesterday I mother nature provided exactly what I needed, a gorgeous sunny day mid-winter here in Connecticut. I'm sure it hit at least mid-forties. It truly felt like spring and of course I knew I'd take the opportunity to go outside and paint.

I kept my supplies small, so I could bring along the least amount of weight, and hopefully get a painting in quickly before the wind picked up and froze me out! This little 'thumb-box' pochade is something I found at the Utrecht Art Supply store a few years ago. I don't use it that often as the egdes that hold your panel in make it difficult to paint with a knife. So I figured, I'd use knife AND brush on this one. It holds a 6x8" panel, and the palette slides in & out to store a few small tubes of paint underneath as well as brushes (short ones!). Finding special plein air supplies can be such fun- and less calories than going through the candy store!

Here's a link to buy this pochade box at Utrecht, scroll down the page to "Utrecht Wooden Pochade Box w/ Shoulder Strap, Lightweight" they're asking $89.99 for it, but watch for some of their online coupons and specials.

I take this little box when I truly am interested in hiking out to a spot and don't want to lug much at all. I'll put that little box, along with 7 tubes of paint inside (a warm & cool of each primary + white)and brushes & painting knife too, inside a tote bag, with some paper towels, plastic bags for trash, small camera (or cell phone camera), 'hand-warmers', a pair of pliers, a 'bulldog' clip to hold the trash bag on to the tote (so it doesn't blow away). It's all pretty light to carry this tote bag on one shoulder, while the on the other side, I'm carrying a little 3-legged folding camp-stool to sit on to paint. Yes, normally I'm standing to paint, but for winter painting, I try to be as comfortable and warm as possible. I figure keeping a low profile will keep me out of the wind, or at least be less of a target!

The other handy thing to go with this little box, is short handled brushes. Now you can either just tote along your regular long handled brushes, or saw them off to fit in your box, ...or just get some short handled brushes that are made to fit into a small pochade. Judson's Art Outfitters carries some that I've been using for many years now (when I bring along the small box). They offer filberts and flats and mine have held up quite well over the years.

When mother nature provides the sunshine, it's up to me to show up! and just paint!!

For more info about this painting, or plein air supplies, or to purchase this painting, contact me here.

Serene Solitude, November Marsh by Roxanne Steed

6"x8" oil on Belgian linen (Raymar Feather Lite)

"The smaller the boat, the more you use it." - Judy Benson

Hope there's more days like this before the cold sets in. Truly delightful to be outside painting in this! The marsh grasses are drying to their golden hued splendor, the cool mud flat shimmering before it...just enough to know that it is wet and damp, yet the tide is still low. The trees have started loosing their leaves....some without evening turning color. It's been an interesting autumn to say the least.

I've been spending some time catching up with varnishing and cataloging a lot of the paintings that I did this summer and into the beginning of fall. I guess I've felt like I'd rather keep up with painting while the weather is cooperating rather than miss out. But sooner or later, the business end of things needs to be tended to.

Another 'house-keeping' task I've started is checking on supplies to see what I need to order more of. I've been a fan of Raymar panels for years & years, but have recently tried their 'Feather Lite panels'- which are great! They are a bit thinner yet they are still the same strong panel, with a wonderful surface (I really love working on their oil primed panels). The big advantage is that it keeps your gear really light weight. So if you need to hike out to a great painting spot, you don't feel like you're "moving house" just to do it! No point in wearing yourself out hauling gear before you even break out the paints!

Now the quote I offer today is from a friend that I went kayaking with a couple times this summer. I was thinking of that today as I dragged my easel gear with me. It's my 2nd lightest set-up, but it does have a nice big paint mixing space. I set out with small painting panels today, as I didn't know how chilly it might be down by the water today. I found a bit of a sheltered spot on a nature trail there at Hammonasset and it was delightful.

This painting is available directly from me at my DailyPainters.com gallery, or contact me here.

Summer Coastal Fog, Harkness Park, Coastal CT

10"x8" oil on linen mounted on archival board

"It's hotter than hell, but not as hot as Texas!" - R. Steed


Seems like I had vanished off the planet for a while there. I just survived a pretty big computer crash/mishap/disaster. What ever you call it, it was not fun. Two weeks without my work-companion left me feeling adrift! At the same time we had our credit card number stolen, and I got a nail in my tire (that was not pluggable). They say things come in threes, so looks like I'm over that hump and am coasting for some good things to come my way! At least that's how one friend suggested I look at it!

In the mean time, I did do a lot of painting done. On the first day back to my easel after "the crash" (as we'll call this computer disaster) I went over to Harkness Park, a favorite spot of mine, whether to paint, walk, or just un-wind. The fog was thick over the coast line during this morning of painting, and was just starting to burn-off, a ray of light seeming to cut through to the garden space I was viewing. For those familiar with the park, this is the area behind the old mansion, where weddings are now held, looking over into the walled garden. The fairy-roses were in their full glory arching over the walls of that garden space.


My postings to come will be like a garden tour of sorts. Today I'm continuing a large painting (24"x24") I started yesterday on the back deck. It's a certainly a challenge to go big when you're working outside. Most of my plein air works are 9"x12" or smaller. But that's a post for another day!

Thanks for following along, and thanks to those of you who asked "where are you"!

Can be purchased directly from my DailyPainters.com gallery store.

Incoming Front Over Ledge Light, sold!!! by Roxanne Steed

8"x10" oil on Belgian linen mounted on archival panel

"Criticism, like rain, should be gentle enough to nourish a man's growth without destroying his roots."

-Frank Howard Clark

Tuesday morning I went out in hopes of painting before the rains came. I was certainly lucky as I got just what I was after! Interesting cloud shapes and color filled the sky over the Wetlands Overlook at Waterford Beach. Looking out toward the Long Island Sound, I could see Ledge Light in the distance, where just the day before everything was enveloped in a very thick fog.


I had mentioned in a previous post about keeping your plein air gear light for travel. This is whether you're flying to a far destination, or just hiking in to your local park. It's all too easy to try stuffing 'just one more thing' into your bag/backpack. If you've got to carry that any distance, you'll be tired & regretting it before you even set up to paint. Over the years I've tried just about everything out there on the market until I finally came upon this combination. An 8x10 Open Box M easel/palette screws right onto a simple camera tripod (not a heavy one either, just a very basic one (got it for under $20 years ago). I have a little sack attached to the legs for laying rocks in for weight if it's a bit windy. If you're trying to paint in a gale, well, suffer the consequences...wind is just about the worst problem to deal with when painting outdoors. Keeping it simple is still the best idea. If you're determined to 'gut-it-out' in wind, you could detach the small box from the easel & hold it.

Other supplies that fit into this pack are an 8"x10" Raymar wet panel box, it holds 3 panels, but for most nearby outings I just take 2 panels. I bring 2 different palette knives, a couple bulldog clips to hold my trash bag onto the set-up, Kleenex, paper towels, a small container of wet-wipes/baby-wipes (yes they are GREAT for getting paint off your skin). In summer I bring a small bug-spray. I try to remember a water bottle, & a camera, but I've left home without them & it's been fine. For paints, I take a warm & cool of each primary, plus white. If you're working with a palette knife, you don't need any medium, solvents, and clean-up is so much simpler. The little rolling back-pack I found at Wal-Mart ($35 if I remember correctly), allowing you to roll it if you're in an area with sidewalks or hoist it up on your back if you have to hike into an area. This has been the most versatile set-up I've used over the years, and of course, may get tweaked over time as all things seem to. And of course, there's no "one WAY" to rig your set-up, what-ever works for YOU is the key thing! Hope it helps you if you're looking to lighten your load and get out to paint more often!

For purchase information, click here.

Foggy Day Wetlands, Spring Thaw by Roxanne Steed

8"x10" oil on Belgian linen mounted on archival panel

"The first day of spring is one thing, and the first spring day is another. The difference between them is sometimes as great as a month."

-Henry Van Dyke


Early Monday morning I went down to the shoreline to the wetlands overlook at Waterford Beach, here in CT. I think this is the first outdoor painting I've done this year. A heavy fog had rolled in over night and mist filled the air, it was actually quite beautiful! And it felt GREAT to be back outside painting again! Contact me here, for purchase information.


**A tip for painters- if you are going to paint outdoors in heavy mist (or possible light rain), you will want to make sure you are working on an oil primed surface. I learned this from a friend in Ireland several years ago while painting out in a light misty/rain. He was painting on an acrylic primed canvas and it began absorbing water and resisted the oil paint like a batik. This was certainly not the look he was after, and was so disappointed. I was painting next to him, and using an oil primed linen mounted on panel (from Raymar) the water beaded up & I was able to push it away with the paint brush/knife. I've since seen this a few times and was glad I had brought along the oil primed panels! AND, it's a great idea to keep your gear light, just in the chance that the weather gets worse and you have to pack up pronto to head for dryer, safer ground.

If you're in Norfolk, VA at the end of the month, I have begun framing new works to take to London Square Gallery; where I'll be doing a demonstration of my palette knife work on Saturday, April 30th. If you're in town, I'd love to have you stop in to visit!