8x10 acrylic on acid free canvas panel, framed in a quailty wooden silver gilt frame . Available for sale at
Vango Art
Vango Art
Showing posts with label Celeste Plowden. Show all posts
Showing posts with label Celeste Plowden. Show all posts
Friday, May 22, 2015
It's Where You Are, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Tuesday, May 19, 2015
Pink Splash, by New York artist, Celeste Plowden
8x10 acrylic on archival canvas panel, UV varnish,
SOLD
SOLD
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Sunday, May 17, 2015
Greater Flamingo Pair, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Saturday, May 16, 2015
White Display, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Friday, May 15, 2015
Night Voyage on the North Sea, by New York artist, Celeste Plowden
8x10 acrylic on acid free canvas panel, UV varnish, SOLD! for similar paintings for auction, see
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Thursday, May 14, 2015
Night at Stonehenge, by New York artist, Celeste Plowden
Painting the sky with a palette knife not only adds the texture of layers, but easily gives the impression of a sky laden with clouds, mist and atmosphere. Everything was worked with a palette knife for textures, except the hint of shading on the stones.
8x10 acrylic on acid free canvas panel, UV varnish, available upon request
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Tuesday, May 12, 2015
Roaming in the Blue, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Sunday, May 10, 2015
Shield Wall, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Friday, May 8, 2015
Looking Ahead, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Wednesday, May 6, 2015
Insight, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Tuesday, May 5, 2015
Watchful Eye, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Tuesday, April 28, 2015
Shady Stroll, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Monday, April 27, 2015
Double Take, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Sunday, April 26, 2015
Sunny Pastures, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Friday, April 17, 2015
Bright Morning Pose, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Thursday, April 16, 2015
Morning Call, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
White Orpheus, by new York artist, Celeste Plowden
I have several white horses I have just painted, all with a palette knife, except for around the eyes and nostrils. the palette knife is marvelous for painting any type of animal or bird. here, the mane was done quickly, giving it a feathery movement.
8x10 acrylic on acid free canvas panel, UV varnish, available for auction at
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Wednesday, April 15, 2015
Screen Test, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Tuesday, April 14, 2015
Gibson Les Paul Gold Top Guitar, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
Saturday, April 11, 2015
Serene Hills, by New York artist, Celeste Plowden
I learned the art of acrylic and pastel painting through private instruction, after having spent my career as a designer of printed fabrics in the New York market place. I am a graduate of the College of Design, Art and Architecture at the University of Cincinnati, with a major in the History of Art, 1977. Later, I studied printed textile design at Parsons School of Design, in New York. Immediately afterward, I began free lance work for several design studios in the garment district of NYC, where I did re-coloration work for printed apparel fabrics, and sold my own designs through Bread and Butter Designs,also located in New York. In addition, during the 1980's and 1990's, I designed a number of needlecraft and stencil books for Dover Publications. Currently, I am working on a series of exotic birds and other animals done in acrylic paint, with a palette knife, for texture and brilliant color. I consider my paintings to be representational or impressionistic in nature, and I use fantasy colors because what I see often makes me feel these colors,and what would make an interesting composition, rather than using realistic colors.
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